Your selections:
The Nature of Narration in Cinematic Virtual Reality
The pursuit of the ecstatic truth: a qualitative practice-based enquiry of a feature-length film
Creative filmmaking processes, procedures and practices: embodied and internalized filmmaking agency
- Kerrigan, Susan, McIntyre, Phillip
- Maher, Sean, Kerrigan, Susan
A 'logical' explanation of screen production as method-led research
- Batty, Craig, Kerrigan, Susan
Shoestring theory - pragmatism and bricolage in microbudget feature filmmaking
Filmmaking as creative practice: assessing creative magnitude and scale
Regional creative screen industries: an examination of SMEs, creative practitioners and screen organisations in Australia's Hunter region
- Kerrigan, Susan, McIntyre, Phillip
Reconceptualizing creative documentary practice
Rethinking genre theory for screenwriting practice: using Mikhail Bakhtin's theory of discourse
Still a burning issue: measuring screen production research
- Kerrigan, Susan, Leahy, Gillian, Cohen, Hart
Generative apogee and elegiac expansion: European film modernism from Antonioni to Angelopoulos
National identity, the auteur and the Greek world on film
The evolution of VFX-intensive filmmaking in 20th century Hollywood cinema: an historical overview
- Davis, Therese, Moreton, Janelle
Australian universities approaches to occupational risk management for screen production
- Kerrigan, Susan, Aquilia, Pieter, Holt, Jill, Oughton, Nicholas
Are you sure you would like to clear your session, including search history and login status?